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Cante flamenco : ウィキペディア英語版 | Cante flamenco
(詳細はflamenco, along with ''toque'' (playing the guitar) and ''baile'' (dance). Because the dancer is front and center in a flamenco performance, foreigners often assume the dance is the most important aspect of the art form - but in fact, it is the ''cante'' which is the heart and soul of the genre. A ''cante'' singer is a ''cantaor''. The cante flamenco is part of musical tradition in the Andalusian region of Spain. Like any folkloric music, its origins are uncertain but scholars see many influences in the cante flamenco including: The Perso-Arab Zyriab song form, the Classical Andalusian Orchestras of the Islamic Empire, the Jewish Synagogue Chants, Mozarabic forms such as Zarchyas and Zambra, Arabic zayal (the foundation for the Fandango), Andalusian regional folk forms, as well as West African and South American influences as seen in the ''cantes de ida y vuelta''. Flamenco developed into its definitive form during its Golden Age (1869-1910). Beginning in 1910, cante flamenco was popularized by the opera flamenca which included the lighter forms of flamenco such as fandangos and ''cantes de ida y vuelta''. In order to preserve the "authentic" ''cante jondo'' (deep song), Manuel de Falla and Federico Garcia Lorca, organized the Concurso de Cante Jondo in Granada in 1922. Singers from all over Andalusia travelled to join in the competition. The first two prizes went to El Tenazas and El Caracol. ==Types of Cante==
There are many variants of cantes or ''palos'' (song forms), each expressing a unique emotion (which shares noticeable resemblance to Indian classical music). The flamenco songs of today may be classified into one of three categories: cante grande, cante intermedio or cante chico.
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